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As it seems to be the kantele traditionally was not an instrument limited to a particular group of professional performers. The playing technique was therefore very much individual, developed by each performer almost independently.
The tuning of the instrument was simple and usually based on the pentatonic scale. Many of the traditional melodies stay in this limit of five tones or can be accompanied with chords using these five tones. The following table shows three basic tuning schemes in tone intervals. We choose to display it this way because it gives a better idea of how instruments were in fact tuned. The tuning was not absolute and based on a sample tone. The same instrument may have been tuned differently each time, but the relative tone of each string stayed in limits of this scheme. It is remarkable that if the first and the second types correspond to minor and major respectively the third type is somehow indefinite and was not major and neither minor but something in between.
The most interesting fact about this is that though many instruments had much more than five strings, traditional performers used them very rarely. Sometimes these additional strings even stayed untuned. |
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